Born in Vidalenzo near Busseto
in Italy on 13 July 1924, Carlo Bergonzi studied with
Edmondo Grandini after an audition at the age of 14 when
Grandini was performing in Busseto. Grandini trained him
as a baritone, having decided this was the true nature of
his voice. Their studies were interupted by the onset of
the second world war and imprisonement in a German prisoner-of-war
camp for anti-Nazi activities. When the war ended and he
was released, he returned to Italy and began studies at the
Boito Conservatory in Parma, and after graduation, further
studies with Ettore Campogalliani.
His professional debut came in La Boheme as
Schaunard in 1947, at the age of 23, and as a lead in Rossini's
Il Barbiere di Siviglia, as Figaro, at Lecce in 1948. A third
debut came in Bari in 1951 after a period in which he retrained
the voice, in which he appeared as Andrea Chenier, now as
a tenor. The same year the Italian Radio celebrated the 50th
anniversary of Verdi's death and engaged Bergonzi for a series
of broadcasts of the lesser-known Verdi Operas.
In 1953 he made his La Scala debut creating
the role of Masaniello in Napoli's opera and his London debut
as Alvaro, his American debut at the Lyric Opera of Chicago
in 1955, and his Met debut the following year. His Covent
Garden debut, again as Alvaro, was not until 1962.
Essentially a lyrical voice, he nevertheless
made great verismo interpretations as do betray his recording
of I Pagliacci with von Karajan in 1966. However, he came
to be considered the foremost Verdi interpreter of his time,
with an extraordinary ability to control lenghty and expansive
phrasing, a model to which other tenors turned.
Bergonzi continued to sing throughout the 60's
at 70's at all the major opera houses, and left the opera
scene during the 80's to concentrate more on doing recitals.
Now he has retired and is most likely to be seen in his restaurant
in Busseto, Il due Foscari.

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