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Features in chronological order:

 

About this section: Audio of the Month is a monthly section where a song, an aria or an opera will be presented, with focus on the tenor. The audio files will be available for a limited time only and will be of low bitrate quality. Current section editor: Geoffrey Mallinson, UK.

 

 

April 2008 In Memoriam: Why Giuseppe di Stefano Was Unique
A tribute to the recently deceased Giuseppe di Stefano (1921-2008) by Dr Neil A. Kurtzman.
   
   
March 2008

Winterstürme
Richard Wagner (1818-1883): Die Walküre
Opera: The second of the four operas that comprise Der Ring des Nibelungen (The Ring of the Nibelung), premiered at Munich's National Theatre on 26 June 1870. (wikipedia.org)
Role: Siegmund
Tenors:
Part 1: Francisco Viñas (r1908), Giuseppe Borgatti (r1914), Jaques Urlus (r1915), Walter Widdop (r1926), Giovanni Martinelli (r1958) and Alberto Remedios (r1973).
Part 2: Modest Menzinsky (1910), Riccardo Martin (1911), Cesare Vezzani, Lauritz Melchior (1931), Piero Pauli (1933) and Robert Dean Smith (2001).
Mystery Voices: ??
Review: Geoffrey Mallinson

Winterstürme, part 1
Winterstürme, part 2

   
   
February 2008 Dein ist mein ganzes Herz
Franz Lehár (1870-1948): Das Land der Lächelns
Opera: One of Lehar's later works, a romantically toned operetta in three acts and first performed at Berlin's Metropol Theatre on 10 October 1929 with Richard Tauber in the lead role.
Role: Prince Sou-Chong
Tenors: Anton Dermota (1929), Joseph Schmidt (1929), Richard tauber (1935), Charles Craig (1964), Werner Krenn (1971), Rolf Björling (1980) and Franco Bonisolli (1985).
Mystery Voice: ?
Review: Geoffrey Mallinson
   
   
January 2008 No feature
   
   
   
  2007
   
   
December 2007

Christmas Special: Opera Duets
Various duets by various performers:

  • Ninon Vallin and Miguel Villabella: J'ecris a mon pere...On l'appelle Manon (Manon, Massenet). Recorded 1932.
  • Emma Luart and Gaston Micheletti: C'est une chanson d'amour (Les Contes d'Hoffmann, Offenbach). Recorded 1928.
  • Eleanor Steber and Ramon Vinay: Gia nella notte densa (Otello, Verdi). Recorded 1952.
  • Renata Tebaldi and Giuseppe Campora: Vogliatemi bene (Madama Butterfly, Puccini). Recorded 1952.
  • Maria Callas and Giuseppe Di Stefano: No Pagliaccio non son (Pagliacci, Leoncavallo). Recorded 1954.
  • Teresa Stratas and Fritz Wünderlich: Parigi o cara (La Traviata, Verdi). Recorded 1965.
  • Raina Kabaivanska and Nazzareno Antinori: Qual occhio al mondo (Tosca, Puccini). Recorded 1984.
  • Margaret Sheridan and Aureliano Pertile: Vicino a te ... La nostra morte (Andrea Chenier, Giordano). Recorded 1929.

Review: Geoffrey Mallinson

   
   
November 2007 Ah! Leve-toi, soleil
Charles Gounod (1818-1893): Roméo et Juliette
Opera: Opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on the play by Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique, Paris on April 27, 1867 (wikipedia.org)
Tenors: Jussib Björling (r1945), Joseph Calleja (r2005), Rolando Villazon (r2005), Jose Luccioni (r1947), Cesar Vezzani (r1923) and Nicolai Gedda (r1953)
Mystery Voice: Zoran Todorovich (r2001)
Review: Geoffrey Mallinson
   
   
October 2007 RIP: Luciano Pavarotti (1935-2007)
A special feature on Luciano Pavarotti, who passed away on 6 September 2007. On 10 October he would have been 72.
Review: Geoffrey Mallinson
   
   
September 2007 O Paradiso
Giacomo Meyerbeer (1791-1864): L'Africana, 1865
Meyerbeer's last work, set to a libretto by Eugène Scribe, depicting fictional events in the life of the explorer Vasco da Gama.
Tenors: Hipólito Lázaro (r1916), Costa Milona(r1922), Miguel Fleta (r1927), Antonio Cortis (r1930), Joseph Schmidt (r1933) and Raoul Jobin (r1947)
Mystery Voice: Guy Chauvet (r approx 1960)
Review: Geoffrey Mallinson
   
   
July 2007 Ideale
Francesco Paolo Tosti (1846-1916) music to Carmelo Errico's (1848-1892) poem.
Tenors: Enrico Caruso (r1906, 2001 orchestra re-recorded and added), Alfred Piccaver (r c1920), Giacomo Lauri-Volpi (r1923), Giuseppe di Stefano (r1944), Jussi Björling (r1955) and Carlo Bergonzi (r1977).
Mystery Voice:
Review: Geoffrey Mallinson
   
   
May 2007

Mit gewitter und sturm aus fernem Meer
Wagner: Der Fliegende Holländer (The Flying Ducthman), 1843
According to legend, a Dutch sea captain named Vanderdecken was condemned by the Devil to roam the seas until redeemed by a woman's love. In Richard Wagner's opera the sea captain leaves the ship every seven years to search for a wife. He finds Senta, who is willing to marry him. However, the Dutchman fears she has been unfaithful. Prepared to die for him, Senta throws herself off a cliff into the sea. The ghost ship with the Dutchman and Senta vanish forever.
Tenors: Richard Lewis (r1961), Gerhard Unger (r1968), Harald Ek (r1971), Werner Krenn (r1976), Robert Schunk (r1985) and Thomas Moser.
Mystery Voice: ??
Review: Geoffrey Mallinson

   
   
April 2007 Durch die Walder, durch die Auen
 

Weber; Der Freischütz (1821)
Opera in three acts by Carl Maria von Weber to a libretto by Friedrich Kind. It is considered the first important German Romantic opera, especially in its national identity and stark emotionality. Its plot was taken from German folk legend and many of its tunes were inspired by German folk music. The selected tenors in this AM sing the aria Durch die Walder, durch die Auen, in English translated as Through the forests, through the meadows.
Tenors: Dermota, Anders (1952), Holm (1960), King (1967), Schock (1967) and Gedda (1969).
Mystery Voice: Peter Seiffert (r1994)
Review: Geoffrey Mallinson

   
   
March 2007 No feature
   
   
February 2007 Giuseppe di Stefano - Part 1
  The art of Italian tenor Giuseppe di Stefano, recordings from 1944-1958.
   
   
January 2007 No feature
   
   
   
  2006
   
   
December 2006 Rigoletto: Selected Tenor Arias
 

Verdi: Rigoletto (1851)
Rigoletto is an opera in three acts by Giuseppe Verdi, commissioned in 1850 by the Teatro La Fenice of Venice. This AM presents the different arias for and duets with tenor in the opera.

Volume One:
The aria "Questa o quella" from the first act.
Tenors: Giusepe Anselmi (1908), Enzo de Muro Lomanto (1928), Dino Borgioli (1930), André D'Arkor (1931), Giovanni Malipiero (c.1935), Alain Vanzo (19xx) and Jan Peerce (1950).
Mystery Voice: Roberto D'Alessio (c.1929)

Volume Two:
The act one duet between the Duke and Gilda, "È il sol dell'anima"
Tenors: Donald Smith (1964), Franco Bonisolli (1977) and Joseph Calleja (2006).

Volume Three:
The 2nd act opens with the Duke's aria, "Ella mi fu rapita"
Tenors: Tito Schipa (1928), Ferruccio Tagliavini (1940), Giuseppe di Stefano (1956), Peter Dvorsky (1986) and Marcelo Álvarez (1998).
Mystery Voice (Possente amor mi chiama): Richard Leech

Volume Four:
The famous aria from the Duke, "La donna è mobile"
Tenors: Tony Poncet (1958), Richard Verreau (1959), Nicolai Gedda (1967), Alfredo Kraus (1978), Stefano Secco (1997) and Yu Quiang Dai (2004).
Mystery Voice: ??

Review: Geoffrey Mallinson

   
   
November 2006 Kuda, Kuda
  Tchaikovsky: Eugene Onegin (1879)
Eugene Onegin is an opera in three acts by Tchaikovsky to a Russian libretto by Konstantin Shilovsky and the composer, based on the poetic novel of the same name by Pushkin. In this AM, the tenors sing the aria "Kuda, Kuda," known in English as Where, o where have you gone, golden days of my youth?
Tenors: Lemeshev (1950), Korolev (1960), Noreika (1968), Grishko (1998), Larin (1998) and Didyk (1999).
Mystery Voice: Peter Lindroos
Review: Geoffrey Mallinson
   
   
October 2006 Renato Zanelli: His Tenor Recordings (Part 2)
 

The second part of Zanelli's recorded output, focusing on his (operatic) tenor repertory.
Review: Juan Dzazópulos

   
   
September 2006 No feature
   
   
August 2006 Scena Finale from Lucia di Lammermoor
  Donizetti: Lucia di Lammermoor (1835)
The final scene of Donizetti's successful opera Lucia di Lammermoor, as the opera concludes finally a showpiece for the tenor: "Tombe degli avi miei ... Fra poco a me ricovero ... tu che a Dio spiegasti l'ali"
Tenors: Gigli (1927), De Muro Lomanto (1928), Tucker (1954), Raimondi (1967), Bergonzi (1970) and Aragall (1972).
Mystery Voice: Giovanni Malipiero (1939)
Review: Geoffrey Mallinson
   
   
July 2006 Renato Zanelli: The New Tamagno (Part 1)
 

One of the greatest Otello's of the mid 1920s and 1930s Chilean born singer Renato Zanelli commenced his career as a baritone in 1916, before switching to tenor in 1924.

   
   
June 2006 Recondita armonia
  Puccini: Tosca
The tenor's first aria of the opera where he compares the beauty of the dark-haired Floria Tosca with that of the blonde Magdelene.
Mystery Voice: János B. Nagy with Jozsef Gregor
Review: Geoffrey Mallinson
   
   
May 2006 Si pel ciel marmoreo giuro
  Verdi: Otello
"Verdi at his most inspired," writes Geoffrey Mallinson of the tine-spingling duet between Otello and Iago: "Yes, I swear by the marble heaven."
Mystery Voices: Nicola Fusati and Riccardo Stracciari (1928)
Review: Geoffrey Mallinson
   
   
April 2006 Aureliano Pertile - Part 1
  Selected arias and songs performed by Italy's favourite tenor of the 1920s and 30s.
   
   
March 2006 Tito Schipa - Part 1
  Selected arias and songs performed by one of the most graceful of all tenors, Tito Schipa.
   
   
February 2006

Salut! Demeure chaste et pure
Gounod: Faust

 

Haunting aria sung by Faust, who has sold his soul to the Devil. Tenors: Alain Vanzo, Richard Crooks, Gianni Poggi, William Matteuzzi, Tito Beltran and Fernando de la Mora.
Mystery Voice: Joseph Hislop (1884-1977).
Review: Geoffrey Mallinson

   
   
January 2006 No feature
   
   
  For the 2002-2005 features, click here
   
 
   
   
   
Untitled Document